To focus on the sound is to find one very close to what an average attentive listener might expect, with sublime quality in every aspect and detail of the record, starting with Skinner's rhythmic handling. We perceive the burning city in which we live daily, throughout A Light for Attracting Attention the focus is on the present, no over-prophetic instinct is searched for. "Devastation has come/left in a station with a note upon," Yorke's voice sings on “Speech Bubbles”. In specific passages the record revolves around contemporary urgencies such as climate and devastation. The overall feeling of A Light for Attracting Attention is that of hearing a new, incredible, but recognizable and consistent album. The baggage is comprehensive, complex, but not weighty, because Yorke and Greenwood's cross-media paths have offered an endless array of suggestions. “Keep your eye on the prize and your feet on the ground…This human radio is playing your anthem.By Gianluigi Marsibilio ( is really left to say about Radiohead and the side-projects that punctually Thom Yorke and Jonny Greenwood are capable of designing? The point is not only anchored in artistic bravery but in the ability to structure music around an imaginary that is always new and personal. It also happens with The Smile, thanks to the rhythmic consciousness of Tom Skinner.Ī Light for Attracting Attention is a record that lives an independent existence, and yet it carries with it a baggage that comes from a sound that touches on OK Computer, The Bends, and in some insights even Amnesiac and A Moon Shaped Pool. And the lyrics, while nobody’s idea of serious profundity, aren’t bad either. They’re more positive than negative, the tunes are catchy and high energy. I’ve heard these guys on alt-rock radio but never listened enough to be able to separate them from the many sound-alikes in their various formats.īut I can see and hear why they’re chart-toppers. In “Special,” Smith sings “You’re not special,” which has a whiff of self-mockery about it. The artier touches include a snippet of the band glimpsed in reflection in (Digitally-created) water, and that vamped up glam sequence. Sometimes quoting Springsteen or Shinedown is the only “pretentious/vapid” comment necessary. “Everything is so important, until it’s not.” “You can’t go back. In between the tracks we hear Smith, in voice over, intoning that “Wanting things to change is not the same as making things change.” They could be playful in the hands of a director/editor with a lighter touch, but that would be off-brand. Another is set in a plastic surgery clinic.
Yes, actors playing a biker and biker moll and a lot of flames figure in that one.
“When your Mom is a burnout and you Daddy is a pyro, set fire to the family tree.” “I was sent to warn you, the Devil’s in the next room.” They’re symbolic and/or literal, soundstage-bound or out of doors, always with dreadlocked drummer Barry Kerch whaling away, Eric Bass keeping time on the instrument he’s named for, Zach Myers power-chording his guitar and Brent Smith sing-shouting in that heavily-overdubbed and harmonious Offspring, Fuel style some seriously dark, and occasionally upbeat lyrics. The occasional arresting image aside, the collected videos are seriously run-of-the-mill. Check out the flames, lots and lots of flames, as songs are rendered into fiery or monstrous nightmares, or semi-sexy dreams (model/actress Francesca Eastwood appears, among many others). See the band lip-sync and thrash about in matching black ensembles, or matching (nearly) suits, dolled up as their favorite glam or whatever performers (Elvis, Elton, etc). It’s not a mediocre or epic concert film, not a “get to know the band” doc either.īut for what it is, it’s not awful, kind of MTV - only post-grunge. It isn’t remotely as interesting as a good “in the studio to cut a record and having a hard time of it” documentary, some of which have been known to capture a “Eureka” moment of creation.
They hired Marilyn Manson’s favorite video director, Bill Yukich, to turn the 14 tracks into quasi-arty “performance” videos, again pretty old school.Īs such things go, it isn’t bad. “Attention Attention,” their most recent studio LP (another is due out this fall, according to what I’ve read), is another chart-challenging smash from the quartet. With the pandemic shutting down live performances for over a year and better-informed/cautious fans still leery of festival seating or moshing their way back into venues, alt rock/arena rock/pop rockers Shinedown decided to remind fans they’re out there - or will be soon - with an old school “video album.”
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